| Anchorage |
Fixing
of meaning
eg
the copy text anchors (ie fixes to one spot) the meaning of an
image in a print advertisement |
| Audience |
The
receivers of a media text. A great deal of media studies work is
concerned with the effects a text may have on an audience. |
| Censorship |
Control
over the content of a media text. Different media forms have different
forms of censorship - sometimes from a government, but mainly from
a regulatory agency, eg the British
Board of Film Classification |
| Code |
A
system of signs which can be decoded to create meaning.
In
media texts, we look at a range of different signs that can be
loosely grouped into the following:
- technical
codes - all to do with the way a text is technically constructed
- camera angles, framing, typography etc
- verbal
codes - everything to do with language -either written or spoken
- symbolic
codes - codes that can be decoded on a mainly connotational
level - all the things which draw upon our experience and understanding
of other media texts, our cultural frame of reference.
|
| Convention |
The
widely recognised way of doing something - this has to do with
content, style and form
eg
the conventions of music video
- they
are the same length as the song (somewhere around 4 minutes,
say)
- they
present the band, who look as though they are singing
- they
have lots of fast edits
|
| Denote/connote |
Ways
in which meaning is created
- Denote
= literal meaning
- Connote
= meaning by association
|
| Enigma |
A
question that is not immediately answered and thus draws an audience
into a text
eg.
a body is discovered at the beginning of a tv detective drama.
The killer's identity is an enigma. We watch to find out who the
killer is. |
| Gatekeeping |
Quite
an old-fashioned term to describe the way in which certain key personnel
(news editors, newspaper owners mainly) have control over the information
that is presented to audiences, and the way in which it is presented
(the angle) |
| Genre |
A
way of categorising a media text according to its form, style and
content. This categorisation is useful for producers (who can utilise
a genre's conventions) and audiences (who can utilise their expectations
of the genre) alike |
| Ideology |
This
is a complex concept - in its basic form it is a set of ideas or
beliefs which are held to be acceptable by the creators of a media
text. For example, a text might be described as having a feminist
ideology, meaning it promotes the idea that women are the equal
of men and should not be discriminated against on the grounds of
gender. |
| Narrative |
The
way in which a story, or sequence of events, is put together within
a text. All media texts have some sort of narrative, from a single
photographic image to a sports report to a feature film.
Narrative
may be reduced to one simple equation which is
equilibrium
- disequilibrium - new equilibrium |
| News
Values |
Ways
of categorising and assessing news stories to decide on their newsworthiness |
| Ownership |
An
important issue in media studies - and a constantly changing one.
Who produces and distributes the media texts we read? |
| Realism |
The
techniques by which a media text represents ideas and images that
are held to have a true relationship with the actual world around
us. Realism means different things in different texts - realism
in animation (eg the movement of single hairs in computer animation)
means something entirely different to realism in soap opera (eg
the depiction of people eating breakfast and talking with their
mouths full). it is important to assess how much a text strives
for realism, how much audiences are expected to think it is realistic.
|
| Representation |
The
way in which the media "re-presents" the world around
us in the form of signs and codes for audiences to read. |
| Self-Regulation |
When an institution
(the Press, Advertising) appoints a group of individuals whose job
is to deal with complaints about that institution |
| Signs
& Signification |
Sign
- a symbol which is understood to refer to something other than
itself. This may be very simple - think of a "No Entry"
road sign. it may get more complicated when reading media texts,
where a sign might be the bright red coat that a character is
wearing (which signals that they are dangerous)
Signification
- the process of reading signs (see denotation and connotation) |
| Star |
A
person who has become so famous, both for doing their job (actor,
sport player) and appearing in many sorts of media, that their
image is instantly recognisable as a sign, with a whole range
of meanings or significations
eg
- David Beckham's image represents a whole raft of meanings: England,
football, wealth, Posh, success, fashion victim, expertise, sexuality
etc...
Britney
Spears is also a star but her image signifies youth, physical
fitness, virginity, blonde (+associated stereotypical characteristics),
singing, dancing, sexuality, fashion etc...
A
star's image becomes a readily recognised sign that is used in
many different media forms - think of where you have seen pictures
of Britney and Becks. Stars can use the fact that their image
has meaning by allowing it to be used for advertising purposes. |
| Stereotype |
Stereotypes
are representations of people that rely on preconceived ideas
about the group that person is perceived as belonging to. It is
assumed that an individual shares personal characteristics with
other members of that group eg blondes are all stupid, accountants
are all boring.
Although
using stereotypes saves a lot of explanation within a text, it
can be a very lazy method of characterisation. Stereotypes may
be considered dangerous, as they encourage audiences to think
large groups of people are all the same, and often have the same
negative characteristics. |