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|
Definition |
Account |
The
relationship between agency and client - an account may cover one
campaign or many years of advertising, and may include all the products
marketed by a client or just one |
Advertorial |
An
paid-for advertisement which includes editorial content; normally
identified in a print magazine with the word "Advertisement"
printed as a head across the top of the page to distinguish it from
true (in theory unbiased) editorial content |
Agency |
The
organisation which takes care of advertising for clients. |
Anchorage |
The
'pinning down of meaning' that a caption provides when coupled with
an ambiguous image - or vice versa |
Animatic |
A
filmed storyboard, where stills or short extracts are put together
as a rough edit to show the client prior to the filming and editing
of a full quality (and therefore expensive) TVC |
Benefits |
The
features of a product which are highlighted to customers in ads.
there are only two true benefits: better and cheaper. An ad may
highlight the supposed emotional benefits of owning a product (eg
you'll be happier, more attractive) |
Billboard |
Space
for outdoor advertising |
|
See
full definition on page |
Brief |
The
outline of a campaign's purpose given to the agency by the client.
The brief is then developed further by the agency for internal use |
Campaign |
A
time-limited set of ads - campaigns may run across different media,
and for one month or ten years, but can be categorised together
as they are the execution of a central idea |
Client |
The
organisation who pays the agency |
Coverage |
calculated
in percentages, the proportion of a target audience who has the
opportunity to see an ad once |
Creative |
The
creative ideas behind an ad, or the person/team who comes up with
them |
Classified |
advertising
which does not used pictures, and is generally not produced by an
agency. A good example of how vendors can communicate directly with
buyers |
Copy |
The
text created for an ad |
Demographics |
Describing
an audience by age, gender, ethnicity, location - ie the facts about
them |
Focus
Groups |
Small,
select groups representing a target audience who are paid to answer
questions at the behest of a market research organisation |
Frequency |
The
number of times an audience get the opportunity to see an ad |
Pitch |
The
communication by the agency of a campaign strategy to the client |
Penetration |
The
proportion of a potential market that is actually using a particular
brand |
|
The
practice of paying for a branded product to be used by a character
in a movie - eg James Bond driving a BMW Z3 |
Product
Positioning |
Establishing
the market niche of a product - which may not be
as the brand leader - and advertising to the appropriate segment
of the audience |
Propaganda |
The
deliberate manipulation of information in order to achieve certain
objectives - NB this is RARELY used in connection with modern advertising |
Psychographics |
Describing
an audience by their shared psychological profile (likes, dislikes
etc) |
Reach |
Similar
to coverage |
Slogan |
Line
of copy which encapsulates the campaign strategy |
Space |
The
pages in a magazine or newspaper which can be sold (as double spreads,
foldouts, full, half and quarter pages) to advertisers |
USP |
Unique
Selling Proposition/point - a highlighted benefit of a product which
makes it stand out from all rival brands. |